Improvisation and live accompaniment increase motor response and reward during a music playing task.

Anna Palumbo, Karleigh Groves, Eva Luna Munoz-Vidal, Alan Turry, Robert Codio, Preeti Raghavan, Heidi Schambra, Gerald T Voelbel, Pablo Ripollés
Author Information
  1. Anna Palumbo: Rehabilitation Sciences Program, Steinhardt School of Culture, Education, and Human Development, New York University, New York, NY, 10003, USA. ap89@nyu.edu.
  2. Karleigh Groves: Department of Psychology, New York University, New York, NY, 10003, USA.
  3. Eva Luna Munoz-Vidal: Rehabilitation Sciences Program, Steinhardt School of Culture, Education, and Human Development, New York University, New York, NY, 10003, USA.
  4. Alan Turry: Department of Music and Performing Arts Professions, Steinhardt School of Culture, Education, and Human Development, New York University, New York, NY, 10003, USA.
  5. Robert Codio: Music and Audio Research Lab, New York University, New York, NY, 10003, USA.
  6. Preeti Raghavan: Department of Physical Medicine and Rehabilitation and Neurology, Johns Hopkins University School of Medicine, Baltimore, MD, 21287, USA.
  7. Heidi Schambra: New York University Grossman School of Medicine, New York, NY, 10016, USA.
  8. Gerald T Voelbel: Rehabilitation Sciences Program, Steinhardt School of Culture, Education, and Human Development, New York University, New York, NY, 10003, USA.
  9. Pablo Ripollés: Department of Psychology, New York University, New York, NY, 10003, USA. pr82@nyu.edu.

Abstract

Music provides a reward that can enhance learning and motivation in humans. While music is often combined with exercise to improve performance and upregulate mood, the relationship between music-induced reward and motor output is poorly understood. Here, we study music reward and motor output at the same time by capitalizing on music playing. Specifically, we investigate the effects of music improvisation and live accompaniment on motor, autonomic, and affective responses. Thirty adults performed a drumming task while (i) improvising or maintaining the beat and (ii) with live or recorded accompaniment. Motor response was characterized by acceleration of hand movements (accelerometry), wrist flexor and extensor muscle activation (electromyography), and the drum strike count (i.e., the number of drum strikes played). Autonomic arousal was measured by tonic response of electrodermal activity (EDA) and heart rate (HR). Affective responses were measured by a 12-item Likert scale. The combination of improvisation and live accompaniment, as compared to all other conditions, significantly increased acceleration of hand movements and muscle activation, as well as participant reports of reward during music playing. Improvisation, regardless of type of accompaniment, increased the drum strike count and autonomic arousal (including tonic EDA responses and several measures of HR), as well as participant reports of challenge. Importantly, increased motor response was associated with increased reward ratings during music improvisation, but not while participants were maintaining the beat. The increased motor responses achieved with improvisation and live accompaniment have important implications for enhancing dose of movement during exercise and physical rehabilitation.

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Grants

  1. F31NS127527/National Institute of Neurological Disorders and Stroke of the National Institutes of Health

MeSH Term

Humans
Music
Male
Female
Reward
Adult
Young Adult
Electromyography
Heart Rate
Movement
Hand
Psychomotor Performance
Motivation

Word Cloud

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