Applied deaf aesthetics toward transforming deaf higher education.

Joanne Weber, Denyse Hayward, Michael Skyer, Sarah Snively
Author Information
  1. Joanne Weber: Faculty of Education, University of Alberta, Edmonton, T6G 2G5, Canada. ORCID
  2. Denyse Hayward: Faculty of Education, University of Alberta, Edmonton, T6G 2G5, Canada.
  3. Michael Skyer: College of Education, Health, and Human Sciences, University of Tennessee, Knoxville, TN, 37996, United States. ORCID
  4. Sarah Snively: Faculty of Education, University of Alberta, Edmonton, T6G 2G5, Canada.

Abstract

Deaf aesthetics is a theoretical framework we actualized to enhance interactions in deaf education, particularly via multimodal pedagogy and curricular experiences. Prior research illustrates that deaf aesthetics are desired by deaf teachers and students who are deaf; however, most instructional-delivery formats lack these supports. The present mixed-methodology, multi-method case study is an empirical evaluation of how deaf aesthetics contributed to the process of redesigning a course, including major revisions to instructional slide decks (e.g., PowerPoint, Google Slides, Prezi). The research question we examined is: How can instructional designers and university educators effectively design and use deaf aesthetics and multimodal curricula and pedagogies to prompt and sustain educational interactions with deaf or deafblind learners and teachers?

Keywords

References

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Grants

  1. /Government of Canada to the Faculty of Education, University of Alberta

MeSH Term

Humans
Esthetics
Curriculum
Persons with Hearing Disabilities
Deafness
Education of Persons with Hearing Disabilities
Universities

Word Cloud

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